UTREES: University Theses in Russian, Soviet and East European Studies 1907-2017.

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Displaying 1 - 20 of 59 (Bibliography: WIKINDX Master Bibliography)
Subject:  Theatre, Ballet, Dance
RACHEL T.R. ALEXANDER. 2015. Tales of cultural transfer: Russian opera abroad, 1866-1906. PhD thesis. Cambridge. Added by: Gregory Walker  v    Pop. 16.9%
P.A.C. ALLAIN. 1993. Theatre practice in search of theory: The Gardzienice Theatre Association of Poland. Ph.D. thesis. London (Goldsmiths). Added by: gerard  v    Pop. 75.88%
MICHELLE ASSAY. 2016. 'Hamlet' in the Stalin era and beyond: stage and scene. Ph.D. thesis. Sheffield. Added by: Gregory Walker  v    Pop. 8.71%
DIEGO AUGUSTO ARBOLEDO. 2016. British Chekhov: an analysis of the United Kingdom's 21st century national identity through contemporary interpretations of Anton Chekhov's plays. Ph.D. thesis. Roehampton. Added by: Gregory Walker  v    Pop. 8.82%
B. BEUMERS. 1991. Yury Lyubimov at the 'Taganka' Theatre and in exile (1964-1989). D.Phil. thesis. Oxford. Last edited by: gerard  v    Pop. 59.4%
JOLAN BOGDAN. 2015. Performative contradiction and revolution: Reconsidering Romania. Ph.D. thesis. London (Goldsmiths). Added by: Gregory Walker  v    Pop. 8.4%
S. BOWDEN. 1993. 'Petrouchka' in performance, 1911: Tensions and illusions. Ph.D. thesis. Surrey. Last edited by: gerard  v    Pop. 55.05%
E. BRAUN. 1970. The dramatic theory and practice of Vsevolod Meierkhol´d. Ph.D. thesis. Cambridge. Added by: gerard  v    Pop. 56.85%
BRYAN K. BROWN. 2013. Tracing the laboratory line: The phenomenon of the theatre laboratory and its manifestations in Russia. PhD thesis. Leeds. Added by: gerard  v    Pop. 35.6%
M.A.S. BURGESS. 1953. A survey of the stage in Russia from 1741 to 1783 with special reference to the development of the Russian theatre. Ph.D. thesis. Cambridge. Added by: gerard  v    Pop. 56.54%
JOEL CHALFEN. 2011. Performances of conscience at three historic site museums [including the Gulag Museum at Perm-36]. PhD thesis. Manchester. Added by: gerard  v    Pop. 48.67%
JACQUELINE CLULOW. 2012. The representation of communism in post-war British film, theatre and art, 1945-1963. PhD thesis. Liverpool. Last edited by: Gregory Walker  v    Pop. 38.79%
ROXANNE C. COPPING. 2016. Composers and the Ballets Russes: Convention, innovation and evolution as seen through the lesser-known works. PhD thesis. Manchester. Added by: Gregory Walker  v    Pop. 10.95%
VICKY COSTELLO. 2012. Brian Friel, Russia and Ireland: The adaptations and the canon. PhD thesis. NUI (Dublin). Added by: gerard  v    Pop. 39.85%
G.A. COUSIN. 1982. Stanislavsky and Brecht: The relationship between the actor and stage objects. Ph.D. thesis. Exeter. Added by: gerard  v    Pop. 60.15%
S.J. DADSWELL. 2005. The spectacle of Russian Futurism: The emergence and development of Russian Futurist performance, 1910-1914. Ph.D. thesis. Sheffield. Added by: gerard  v    Pop. 63.23%
NATASHA DAVIS. 2016. Performing migratory identity: Practice-as-research on displacement and (be)longing [with reference to migration from former Yugoslavia]. PhD thesis. Warwick. Added by: Gregory Walker  v    Pop. 11.16%
B. DAY. 1985. The Theatre on the Balustrade of Prague and the small stage tradition in Czechoslovakia. Ph.D. thesis. Bristol. Added by: gerard  v    Pop. 67.8%
R.S. DIXON. 1999. Efros and Molière: A study of Anatoly Efros's productions of Bulgakov's 'Molière' and of Molière's 'Don Juan', 'Tartuffe' and 'The Misanthrope'. Ph.D. thesis. TC Dublin. Last edited by: gerard  v    Pop. 59.94%
I. DODOVSKI. 2008. Perichorestic desire, catachrestic discontent: Identity representations in contemporary Balkan drama. PhD thesis. Nottingham. Added by: gerard  v    Pop. 58.87%

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