UTREES: University Theses in Russian, Soviet and East European Studies 1907-2017.

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Displaying 1 - 20 of 145 (Bibliography: WIKINDX Master Bibliography)
 
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Subject:  Music, Opera
RACHEL T.R. ALEXANDER. 2015. Tales of cultural transfer: Russian opera abroad, 1866-1906. PhD thesis. Cambridge. Added by: Gregory Walker  v    Pop. 16.9%
ELENA ARTAMONOVA. 2013. Between tradition and modernity: Sergei Vasilenko and his unknown works for viola and piano. PhD thesis. London (Goldsmiths). Added by: gerard  v    Pop. 34.22%
C.M. ASKEW. 2002. Sources of inspiration in the music of Sofia Gubaidulina: Compositional aesthetics and procedures. Ph.D. thesis. Huddersfield. Added by: gerard  v    Pop. 74.81%
LEV ATLAS. 2014. In the shadow of Shostakovich. PhD thesis. St Andrews. Added by: gerard  v    Pop. 31.99%
M. AUDUS. 2007. The 1904 version of Leoš Janáček's 'Jenůfa': Sources, reconstruction, commentary. Ph.D. thesis. Nottingham. Last edited by: gerard  v    Pop. 76.41%
P.T. AUSTEN. 2001. Chasing the Fox: On the trail of Stravinsky's neglected masterpiece. M.Phil. thesis. Manchester. Added by: gerard  v    Pop. 78.43%
JOVANA BACKOVIC. 2014. Between two worlds: Approaching Balkan oral music tradition through the use of technology as a compositional and performing medium [with special reference to Serbia and former Yugoslavia]. PhD thesis. East Anglia. Added by: Gregory Walker  v    Pop. 24.55%
C. BAKER. 2008. Popular music and narratives of identity in Croatia since 1991. PhD thesis. London (UCL). Added by: gerard  v    Pop. 79.38%
R.A. BARTLETT. 1990. Wagner and Russia: The influence of the music and ideas of Richard Wagner on the artistic and cultural life of Russia and the Soviet Union, 1841-1941. D.Phil. thesis. Oxford. Last edited by: gerard  v    Pop. 67.16%
A. BAYLEY. 1996. Bartók performance studies: Aspects of articulative notation in the context of changing traditions of composition and performance in the twentieth century. Ph.D. thesis. Reading. Added by: gerard  v    Pop. 66.84%
R. BECKLES WILLSON. 1999. György Kurtág's 'The Sayings of Péter Bornemisza', Op.7: Song in a cycle in 1960s Hungary. Ph.D. thesis. London (KCL). Last edited by: gerard  v    Pop. 67.38%
ANASTASIA BELINA. 2009. A critical re-evaluation of Taneyev's 'Oresteia'. PhD thesis. Leeds. Added by: gerard  v    Pop. 65.14%
EUGENE A. BIRMAN. 2015. Twenty years of independence: Modern Estonian music, EU integration and effects on identity. DPhil thesis. Oxford. Last edited by: Gregory Walker  v    Pop. 23.38%
B.W. BLACKWOOD. 1972. The music of the Ballets Russes, 1909-1919. Ph.D. thesis. Cambridge. Added by: gerard  v    Pop. 66.42%
B. BOLESLAWSKA-LEWANDOWSKA. 2010. Symphony and symphonic thinking in Polish music after 1956. PhD thesis. Cardiff. Added by: gerard  v    Pop. 54.94%
MAUREEN J. BONELLO. 2011. Voříšek's piano works: An explanation of this repertoire through performance […], with a critical edition of Voříšek's Rondo Espagnol, Op. 17, for piano and orchestra. PhD thesis. Surrey. Added by: gerard  v    Pop. 48.88%
C.M. BROOKE. 1999. The development of Soviet music policy, 1932-41. Ph.D. thesis. Cambridge. Added by: gerard  v    Pop. 66.95%
D. BROUGH. 1981. Polish seventeenth-century church music with reference to the influence of historical, political and social conditions. D.Phil. thesis. Oxford. Last edited by: gerard  v    Pop. 65.67%
S. CAMPBELL. 1985. V. F. Odoyevsky and the formation of Russian musical taste in the nineteenth century. Ph.D. thesis. Glasgow. Added by: gerard  v    Pop. 61.74%
M. CARROLL. 2002. J.L. Dussek and his role in the development of the piano repertory. M.Phil. thesis. Open. Added by: gerard  v    Pop. 70.35%

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